De Lancey Gill papers, 1860-1996 (bulk 1880s-1930s).

ArchivalResource

De Lancey Gill papers, 1860-1996 (bulk 1880s-1930s).

The collection contains Gill's papers, as well as a catalog and curator's notes from a 1992 exhibition of Gill's drawings of Washington, D.C., scenes. The collection includes photographs, reproductions of art works, correspondence, papers related to Gill's position in the Bureau of American Ethnology, newspaper clippings, and memorabilia. Dates of the material included range from 1860 to 1996, but most material is from the 1880s to the 1930s. Series I: Exhibition, Becoming the Capital City, 1992, contains the catalog of an exhibition that featured Gill's pen-and-ink drawings of Washington, D.C., in the 1880s, organized in 1992 by the Historical Society of Washington, D.C., as well as notes by the exhibition curator. Series II: Drawings, Paintings, and Watercolors, 1880s-1921, contains reproductions of some of Gill's pen-and-ink drawings of Washington, D.C., done in the 1880s. There are also a few miscellaneous and chiefly unattributed pieces of artwork and two catalogs of exhibitions in which Gill's work was displayed. Series III: Photographs, 1888-1928, contains photographs of Washington, D.C., scenes, taken by Gill chiefly in the 1880s; 22 of his portrait photographs of American Indian tribal leaders, from among the thousands he took as photographer for the Smithsonian's Bureau of American Ethnology; 23 field photographs of American Indians taken, presumably by Gill, in the American West; portraits of Gill and his family; and miscellaneous photographs that are unattributed and chiefly unidentified. Series IV: Correspondence, 1860-1935, contains personal and business correspondence, including family correspondence and letters concerning the sale of his art works. Series V: Personal and Family Records, 1902-1996, contains newspaper clippings about Gill and family members; a handwritten narrative by Gill (a ghost story); and a 1996 volume of art, poems, and newspaper columns by Gill's daughter Agnes Gill Webster. Series VI: Bureau of American Ethnology, 1886-1930, contains documents relating to Gill's work at the Bureau of American Ethnology, including correspondence, reports, and a summary of his employment history with the federal government. Series VII: Memorabilia, 1880-1933, contains items relating to the Capital Bicycle Club and other organizations of which Gill was a member; text and verse fragments; autographs; and other miscellaneous items.

0.55 cubic ft. (2 containers)

Related Entities

There are 5 Entities related to this resource.

Gill family.

http://n2t.net/ark:/99166/w6c33xch (family)

Capital Bicycle Club

http://n2t.net/ark:/99166/w69w5z6r (corporateBody)

Gill, De Lancey, 1859-1940

http://n2t.net/ark:/99166/w605990p (person)

Illustrator, artist, and photographer, of Washington, D.C. During his long career with the Smithsonian Institution's Bureau of American Ethnology, De Lancey Gill was responsible for taking thousands of remarkable portrait photographs of Native American tribal leaders on their visits to the capital. His work as an artist included drawings of Washington, D.C., scenes in the 1880s that captured a cityscape of dilapidated frame dwellings soon to disappear in a period of rapi...

Webster, Agnes Gill

http://n2t.net/ark:/99166/w6tt6kkg (person)

Smithsonian Institution. Bureau of American Ethnology

http://n2t.net/ark:/99166/w65f9fxr (corporateBody)

The Bureau of American Ethnology was established in 1879 by an act of Congress for the purpose of transferring archives, records and materials relating to the Native American tribes from the Interior Department to the Smithsonian Institution. The Bureau's founding director was John Wesley Powell. In 1897, the Bureau's name was changed from Bureau of Ethnology to Bureau of American Ethnology to indicate the primary geographic limit of its focus. In 1965, the BAE merged with the Smithsonian Ins...